In the World of Grains – Part 6
In the World of Grains – Part 6
(contains embedded video) If you want to support my work, please make use of the "PayPal" button - thank you very much indeed!
A First Attempt to
Classify and to Systemise Approaches to
Using Sonic Grains in
Music and Audible Art
(excerpt from my book: https://www.dev.rofilm-media.net/node/332)
The Modules of the Vintage ARP 2500 – Part 9
The Modules of the Vintage ARP 2500 – Part 9
If you want to support my work, please make use of the "PayPal" button - thank you very much indeed!
Close Encounters of a Special Kind – Part 9
Close Encounters of a Special Kind – Part 9
If you want to support my work, please make use of the "PayPal" button - thank you very much indeed!
Some Last Notes About the Earthquake
Thoughts on Semi-Modular Synths vs. Eurorack – Part 9
Thoughts on Semi-Modular Synths vs. Eurorack – Part 9
If you want to support my work, please make use of the "PayPal" button - thank you very much indeed!
Chapter 5: Special Technical Aspects
In this temporarily last chapter (chapter 6 will follow in some weeks, but not at once) I´m going to talk about some general technical aspects, which speak – unfortunately – mainlyagainst semi modular setups.
Thoughts on Generative Music - Part 9
Thoughts on Generative Music - Part 9
(contains embedded video) If you want to support my work, please make use of the "PayPal" button - thank you very much indeed!
Chapter 3.2.3 excerpt from my book:
https://www.dev.rofilm-media.net/node/331
Basic but Exclusively Generative Techniques
In the World of Grains – Part 5
In the World of Grains – Part 5
(contains embedded video) If you want to support my work, please make use of the "PayPal" button - thank you very much indeed!
… and some more comnputer languages to be used to code granular synthesis, granular sound processing and granular sound design:
OpenMusic
To say it at once: OpenMusic is not mainly meant to manipulate sound. It is not a dedicated sound processing programming environment. Its main purpose is coding compositions, working with notes and notations and manipulating scores.
The Modules of the Vintage ARP 2500 – Part 8
The Modules of the Vintage ARP 2500 – Part 8
If you want to support my work, please make use of the "PayPal" button - thank you very much indeed!
Close Encounters of a Special Kind – Part 8
Close Encounters of a Special Kind – Part 8
If you want to support my work, please make use of the "PayPal" button - thank you very much indeed!
Earthquakes – Part 2
As I told you in my last article of this series: Not every sound design experiment brings the expected or wanted results. And that´s the way I ended with my earthquake experiment. The sounds from throwing things at the pasta-rice,chickpeas-sugar mixture were excellent! They were excitingly superb and served – and still will serve – as great raw material for further design steps.
Thoughts on Semi-Modular Synths vs. Eurorack – Part 8
Thoughts on Semi-Modular Synths vs. Eurorack – Part 8
If you want to support my work, please make use of the "PayPal" button - thank you very much indeed!
Thoughts on Generative Music - Part 8
Thoughts on Generative Music - Part 8
(contains embedded video) If you want to support my work, please make use of the "PayPal" button - thank you very much indeed!
Two More Decisions to be made
There are at least two other decisions to be made in generative music:
Decision 3:
Do I allow myself to intervene from time to time?
And
Decision 4:
Do I follow a clean puristic approach, or do I allow myself to record single pieces and put them together in a later production process?