Knowledge base
Modular Synthesis
How Should Individual Partials Be Modulated in Additive Synthesis?
Additive Synthesis and Partial Modulation for Generative TimbresAdditive synthesis offers unique opportunities for generative sound design because individual spectral components can become modulation targets.
Instead… read more
How Can Wave Shapers Prevent Generative Music from Becoming Repetitive?
Wave Shaping and Wave Folding in Generative MusicOne criticism often directed at generative music is that it can become overly predictable.
A patch may continue evolving for hours while remaining within a… read more
How Can Formant Filters Create Voice-Like Sounds in Modular Synthesis?
Formant Filters and Vocal Timbres in Generative MusicHuman voices possess a special quality that immediately attracts attention.
One reason is the presence of formants.
Formants are spectral emphasis regions… read more
How Can Multiple Modulators Create Evolving Filter Timbres?
Generative Filter Modulation: Beyond the Classic Filter SweepFilter modulation is often one of the first techniques people learn in synthesizer programming.
A slowly moving cutoff frequency creates the familiar filter sweep… read more
How Can Two Oscillators Create Counter-Melodies from One LFO?
Creating Evolving Counter-Melodies from a Single Modulation SourceOne of the most interesting developments in the chapter extends the single-LFO counterpoint patch into a two-oscillator system.
The result is a musical… read more
How Can One LFO Generate Two Contrasting Melodies?
Generating Counterpoint from a Single LFOA single modulation source can often produce more musical material than expected.
The chapter demonstrates this principle by deriving two complementary pitch streams from different outputs of… read more
How Can Pitch Glitches Be Shorter Than the Main Melody?
Controlling the Duration of Pitch Events with Multiple Clock SourcesGenerative systems often focus on pitch selection.
Yet the duration of events can be equally important.
The chapter demonstrates a clever technique for… read more
How Can Quantized Notes and Pitch Glitches Have Different Dynamics?
Separating Quantized Melodies and Pitch Glitches with Different EnvelopesOnce quantized and non-quantized pitch streams exist, they do not need to share the same dynamic behaviour.
The chapter presents a technique… read more
How Can I Mix Quantized and Non-Quantized Notes in a Generative Melody?
Combining Quantized and Unquantized Pitch Modulation in Generative MusicQuantizers are among the most commonly used tools in generative modular synthesis. They transform continuously changing control voltages into… read more
How Do Bernoulli Gates Create Random Signal Routing?
Bernoulli Gates: The Coin Toss of Modular SynthesisA Bernoulli gate is one of the simplest probability devices in modular synthesis.
Each incoming clock pulse is routed to one of two possible outputs according to a probability… read more